She blew into the straw pipe. A glint and flicker in her eyes showed how
happy she was. She looked at him, sitting beside her. His perfect smile and the
sound of his hearty laughter taking her into a different realm. She broke off
from the world around her and went to her own oblivious, floating world, just
for a split second and thinking to herself, that if she could, she would
treasure this smile and laughter and place it in a trinket in her memory as to
never forget it. Little did she know that, she would, in the future, forget. She
would blame herself and cry till her throat ran dry and the streaks of tear-stains would become so excessive on her face that they were hardly
detectable. She just had to wait to see that day. The day she would swan dive a
million times in a limbo created by her own thoughts.
Tuesday, 5 November 2013
Sunday, 9 June 2013
Smile a Crooked Smile
Skip a step. Whistle a song even if you are pathetic at whistling or humming songs. I know the sweat is trickling down the nape of your neck, but who cares. you have now and whats more beautiful than now? To tell you the truth, nothing. So sing that happy song that plays in your head whenever you look at your childhood photo albums.Smile at that stranger on the street from your way back home from work. I know its been a tough day at work, but cheer up sweetychums because this day, this wind blowing in your hair, the birds chirping in the twilight, nothing is going to be there again. Its all here. Its all now. Its all happening.
Friday, 24 May 2013
My Bleak Remains
You said I need not worry as long as you are around. The smile on your face and that confidence in your tone was all i needed at times. You were the best friend I could ever have had and yet more than that. I don’t know how to classify that “more”. But I’m aware that you were that.
You aren’t around anymore. So the things you said I need not worry about as long as you are around, seem scarier to deal with while you are absent in person.
It all seems a little bleak now. Like a fake plastic world with fake plastic houses and hollow empty people that have keys in their backs to make them march around in an almost zombified manner. A world that’s fake like the tawdry flowers you see at a carnival made of cloth and even the corners are tethered and worn with all the black rain that continuously keeps pouring down, making these flowers that were once still acceptable to the eye just a mere props whose sight is now nauseating in itself.
It all seems a little bleak now. Like a fake plastic world with fake plastic houses and hollow empty people that have keys in their backs to make them march around in an almost zombified manner. A world that’s fake like the tawdry flowers you see at a carnival made of cloth and even the corners are tethered and worn with all the black rain that continuously keeps pouring down, making these flowers that were once still acceptable to the eye just a mere props whose sight is now nauseating in itself.
I miss you. Not in the manner the word suggests. But like a gradual leprosy that’s overtaking me. Slowly, gnawing and chewing at the corners of my remains.
Thursday, 2 May 2013
Dear, I'm almost home.
My heart's an orchard and yours a lily
I love you
Don't laugh, I know that sounds silly.
My heart's a rainbow.;
The shade you like the most is yellow,
Warm n comforting yet sad at times,
Comforting n cold at the same time.
I love you
Don't laugh, I know that sounds silly.
My heart's a rainbow.;
The shade you like the most is yellow,
Warm n comforting yet sad at times,
Comforting n cold at the same time.
I miss you is all I'll like to say tonight,
Cos its dark out there
And I have miles to walk
On this cold deserted road
Till I reach home.
Cos its dark out there
And I have miles to walk
On this cold deserted road
Till I reach home.
Saturday, 20 April 2013
Someone's at the Door
I did ask around for you. I swear I did. I asked them
nicely. I asked them politely too. In turn all I got were a few hushes whispers.
A sneer here and a grunt there.
It has been so long since I wrote the way you liked my
writing, but I am trying to write in
that manner. I promise I am.
Lately, my throat’s been bleeding. I wake up every morning
with drops of blood smeared and dried on my white, filled cotton pillow-cases.
I want to tell you more about it but my fingers are swollen
due to the wounds.
I’ll write to you some other time.
I’ll write to you on a better day, telling you of better
times.
Oh! It is someone at the door. Knocking.
[Gets up. Walks to the door. Unlocks door. Gasps lightly. Tries to
breath as invisible hands wrap a transparent cling film around her face]
Tuesday, 2 April 2013
Let the Demon Reside
I have a monster living inside my belly. It has scaled brown-with-mud
paws with bits of shimmery green that’s able to catch the light every now and
again through my windpipe as I open my mouth wide enough. It slits open these
nooks inside of me. A small, nearly 5 mm notch a day. Blood seeps through these
notches, trickling down like the tears of the woman weeping on the moon as she
spins day in and out. It’s not the usual crimson, fresh and cascading blood
that you usually see when humans bleed. It’s more of a rose madder tone with a
tinge of purple to it as if some purple bougainvillea has been crushed to form
a thick yet crunchy paste and added to it.
The monster flickers out its snake-like tongue every once in
a while, to lick at the blood forming a thick, enamel pool at its feet. Licking
it enough to just get a slight taste of it that might make him survive through
the day as he tried to savour it through its taste buds.
It visited me every night in my dreams. I would usually
forget the contents of the dream itself though would remember the vivid surreal
surroundings and description of the monster itself.
If I remember correctly, in my nocturnal world, I am close
friends with it, but if so is the case, then why does it gnaw and scathe at my
insides like it does. This thought leaves me completely baffled making my head
spin like a child’s top on a floor with psychedelic patterns in neon colours.
I wake up to find myself hanging loosely like a string
puppet, from suspending ropes, in a room filled with mirrors of all shapes and sizes
as well as all deforming proportions. My wooden feet are nailed to the ground
holding my body still as my head spins round and round crazily as if I’m a key
at the back of a walking circus doll.
Friday, 22 February 2013
Let The Film Roll
PROLOGUE
Small dark room. Enter Me. A naked bulb hanging in the center of the
room gradually lights up. Telephone on a small high table under the bulb.
Phone rings twice.
I walk towards it. Pick it up.
Me: Hello!
(smiles widely)
I’m great. (brief pause. Smile
melts into a serious face. Nods while tears run down cheeks)
Light fades out.
CUT.
¤―¤
It has been a while now that I have
been trying to shake my brains to be able to understand myself and all that
surrounds me and constitutes the me that I am right now, but all to little
avail. All that did make any sense to me was that this life is but a mere
journey. I’m not making the clichéd journey reference but what I am trying to
say is that it’s a journey that never ends. A journey where you are constantly
striving to move on and get somewhere. Where death is not the end but another
beginning on a newly laid road. It seems like a film where the frames keep
shifting and at times the transition of one frame to another might seem
disconnected or irrelevant for a moment but by the end of the story it makes
perfect sense. It’s a part of the storyline and helps the audience unfold what
the Director (Nature) is trying to convey.
There are points within the film
itself when the Editor (Fate) rips off things in certain sections and pastes
one scene next to another and as I’m the narrator of my own Film these moments
would seem really disturbing. At least for a while.
I am quite certain that I can influence
the Director and the Editor of my Film. Probably make them change how or when they
intertwine by how I take my own Story along. If I carry it well enough, they
might not feel the need to drastically change the sub plots.
Since it’s a never-ending spool of
film, the best way to keep the story going would be trying to fill every scene
and situation with at least a spark of an overwhelming sense of bursting
happiness and fullness. The characters in my Film term this sensation as Love
sometimes.
¤―¤
EPILOGUE
I stand in a rocky trail that merges with the
wilderness that I see in front of me. The camera shows the whole landscape and
zooms in and shows an over the shoulder shot.
Over-the-shoulder: looks at the stretch of
wild shrubs and patches of Korean feathered grass and some wildflower overgrowth.
The setting sun casts orange hues of the landscape. Camera moves across the
horizon slowly. Taking it all in.
CUT TO: SLO-MO: Details of a bunch of coral
honeysuckle swaying in a breeze in a shallow depth of field.
CUT TO: Aerial view of me standing in the
grassland surrounded by wilderness. Camera zooms out slowly. Fades out. CUT.
¤―¤
“The
purpose of life is life itself.”
― Ayn
Rand
¤―¤
“Listen to
me man. This , right now, all this stuff you’re feeling, this is a footnote.
Okay?...you’re going to get out in the world and stumble into something like
contentment, I know it.”
“Is that
how it’s been for you?”
“Hell no!
But some days are alright you know? Some days are like a gift, and some days
suck. But all of that’s okay.”
―Jesse
Fisher & Dean
―Liberal
Arts (2012)
¤―¤
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