Someone's at the Door

I did ask around for you. I swear I did. I asked them nicely. I asked them politely too. In turn all I got were a few hushes whispers. A sneer here and a grunt there.

It has been so long since I wrote the way you liked my writing, but I am trying to write in that manner. I promise I am.

Lately, my throat’s been bleeding. I wake up every morning with drops of blood smeared and dried on my white, filled cotton pillow-cases.

I want to tell you more about it but my fingers are swollen due to the wounds.

I’ll write to you some other time.

I’ll write to you on a better day, telling you of better times.

Oh! It is someone at the door. Knocking.

[Gets up. Walks to the door. Unlocks door. Gasps lightly. Tries to breath as invisible hands wrap a transparent cling film around her face]

Let the Demon Reside

I have a monster living inside my belly. It has scaled brown-with-mud paws with bits of shimmery green that’s able to catch the light every now and again through my windpipe as I open my mouth wide enough. It slits open these nooks inside of me. A small, nearly 5 mm notch a day. Blood seeps through these notches, trickling down like the tears of the woman weeping on the moon as she spins day in and out. It’s not the usual crimson, fresh and cascading blood that you usually see when humans bleed. It’s more of a rose madder tone with a tinge of purple to it as if some purple bougainvillea has been crushed to form a thick yet crunchy paste and added to it.

The monster flickers out its snake-like tongue every once in a while, to lick at the blood forming a thick, enamel pool at its feet. Licking it enough to just get a slight taste of it that might make him survive through the day as he tried to savour it through its taste buds.

It visited me every night in my dreams. I would usually forget the contents of the dream itself though would remember the vivid surreal surroundings and description of the monster itself.

If I remember correctly, in my nocturnal world, I am close friends with it, but if so is the case, then why does it gnaw and scathe at my insides like it does. This thought leaves me completely baffled making my head spin like a child’s top on a floor with psychedelic patterns in neon colours.

I wake up to find myself hanging loosely like a string puppet, from suspending ropes, in a room filled with mirrors of all shapes and sizes as well as all deforming proportions. My wooden feet are nailed to the ground holding my body still as my head spins round and round crazily as if I’m a key at the back of a walking circus doll.

Let The Film Roll

PROLOGUE

Small dark room. Enter Me. A naked bulb hanging in the center of the room gradually lights up. Telephone on a small high table under the bulb.

Phone rings twice.

I walk towards it. Pick it up.

Me:        Hello! (smiles widely)

I’m great. (brief pause. Smile melts into a serious face. Nods while tears run down cheeks)

Light fades out.

CUT.

¤―¤

It has been a while now that I have been trying to shake my brains to be able to understand myself and all that surrounds me and constitutes the me that I am right now, but all to little avail. All that did make any sense to me was that this life is but a mere journey. I’m not making the clichéd journey reference but what I am trying to say is that it’s a journey that never ends. A journey where you are constantly striving to move on and get somewhere. Where death is not the end but another beginning on a newly laid road. It seems like a film where the frames keep shifting and at times the transition of one frame to another might seem disconnected or irrelevant for a moment but by the end of the story it makes perfect sense. It’s a part of the storyline and helps the audience unfold what the Director (Nature) is trying to convey.

There are points within the film itself when the Editor (Fate) rips off things in certain sections and pastes one scene next to another and as I’m the narrator of my own Film these moments would seem really disturbing. At least for a while.

I am quite certain that I can influence the Director and the Editor of my Film. Probably make them change how or when they intertwine by how I take my own Story along. If I carry it well enough, they might not feel the need to drastically change the sub plots.

Since it’s a never-ending spool of film, the best way to keep the story going would be trying to fill every scene and situation with at least a spark of an overwhelming sense of bursting happiness and fullness. The characters in my Film term this sensation as Love sometimes.

¤―¤

EPILOGUE

I stand in a rocky trail that merges with the wilderness that I see in front of me. The camera shows the whole landscape and zooms in and shows an over the shoulder shot.

Over-the-shoulder: looks at the stretch of wild shrubs and patches of Korean feathered grass and some wildflower overgrowth. The setting sun casts orange hues of the landscape. Camera moves across the horizon slowly. Taking it all in.

CUT TO: SLO-MO: Details of a bunch of coral honeysuckle swaying in a breeze in a shallow depth of field.

CUT TO: Aerial view of me standing in the grassland surrounded by wilderness. Camera zooms out slowly. Fades out. CUT.

¤―¤

“The purpose of life is life itself.”

                                                              ― Ayn Rand

¤―¤

“Listen to me man. This , right now, all this stuff you’re feeling, this is a footnote. Okay?...you’re going to get out in the world and stumble into something like contentment, I know it.”

“Is that how it’s been for you?”

“Hell no! But some days are alright you know? Some days are like a gift, and some days suck. But all of that’s okay.”

                                                                                                                ―Jesse Fisher & Dean

                                                                                                                                                ―Liberal Arts (2012)

¤―¤

The Void Between Mirage And Reality

“Hellooo!” trailed a hesitant voice tapping ever so lightly at my right shoulder.

I turned around taken aback by the sudden voice, as I softly stepped out of my own train of thoughts.

I was looking straight at a small timid face of a young girl with dark lightly arched eyebrows widely spaced on a radiating broad forehead. Her lips were plump and a deep vibrant tone of peach red as if she had swallowed the sun and the contours reminded me of early morning petals of a blooming rose. Her perfectly pointed nose nestled snugly between her high cheekbones, with the tip sneaking slightly into the air as if curious to know all that’s going around. A course-textured, deep red shawl was tightly wrapped around her head framing her oval, cherub-like face.

Her big, dark, watery eyes stared right back at me as she hesitantly questioned, “Can I talk to you for a moment please?”

It was not a clichéd manner in which she asked so. Her voice had a certain gripping ring to it, like the distant soothing yet observant ring of church bells echoing in a valley.

I nodded.

“I want you to always remember a few things. Things about me. I am a girl who doesn’t like people screaming or shouting in anger, even if it is not at me and I just happen to stand in the room. It scares me. A lot. I don’t like people being angry at me. Not even in the slightest of manners. It upsets me, though I do try not showing that on my face.” She continued in a solemn voice like that of a child trying to convince some elder of the existence of nymphs, fairies and mermaids.

She kept talking and I seemed to have gotten myself to be in a trance-like state. I stared at her as she stood with me in the cold, cobbled street with a street light in the background making her presence seem dramatically overwhelming and silhouetting her petite, fragile figure.

And suddenly it all started melting in light. As if I stood in a hot room set up with rubber props that had suddenly started melting and the colours melted down into one another. The street seemed to be crying.

Crying, melting and disappearing into nothingness and giving way to a blank, numbing light. The light didn’t hurt my eyes, as a matter of fact it was quiet soft yet it engulfed me and and the silence it carried along with it seemed like a murder of crows angrily screeching and screaming at me and trying to pull at my hair and skin.

I shut my eyes close firmly as I felt it all subduing.

I slowly fumbled my eyes open to find myself surrounded by sooty darkness. Not the kind of dark where one can make out shapes of things around. Darkness that swallowed you up steadily, like some fear that gnaws on your insides.

The Yellow Raincoat

Our childhood fears cling to us like kids clinging to the legs of their parents outside candy stores. These fears make and break us, not just only for those specific moments, but also later, when we are grown and make our own ways in the world, leading our ‘adult’ lives.

Most people like to put it this way that these fears ‘haunt’ us, making them feel wrong or putting complete situations under a negative light when actually they are just events from the past that have had a strong influence on us. They probably took place only to avoid some sort of similar clinging memory, though what we do not realize at their time of occurrence is how in an attempt to make it all right or picture perfect, we are forgetting that mistakes are a part of a healthy learning process.

From this whole idea another thing that I mentioned above is how we try alienating our childhood from our adulthood. It’s one life and dividing it into sections is somewhat absurd. In order to understand that lets take a look at how the human mind transform from a child’s level of thinking to that of an adult.

When a child is born, he is innocent in all manners of speaking.  As he becomes older and what we refer to as wiser (I would rather call this simply call this getting to know the conniving and plotting ways of the world)he loses contact with the pure innocent being that he entered this world as. However, that innocence does not diminish from within him completely. It does leave behind some traces that reflect every once in a blue moon at least. Those who try keeping the child inside of them tactile and alive, nurturing it and protecting it like an expecting mother, are the once considered fools though it is them that get to taste the true flavor of the candy bar known as Life.

So keep that child inside of you strong and alive because when things become too hard to bear at times its going to be that very child that is going to save the adult you by referring to sanity every now and again by telling you fantasy stories of pixies and nymphs that though seem other-worldly and quite pleasant yet hold small pieces of such information which would make you put on a your yellow raincoat and those red wellies and smile as u skip along from one puddle to another on the broken and bumpy road outside.

Adieu!

You are the morning wind. Chilly yet comforting. Caressing me and  loving me as you blow through my night gown. Tapping me on the shoulder gently just to make me turn around and smile at you.

You bring in the zest needed as a fix for my morning blues. You are that unforgetfully beautiful moment when the weak tangy winter sun shines on me as you tickle me through. You play with the flowers, making them dance to your tune.

They say that your tune is silent though I think that’s not so. All they need to do is probably listen closely.

You are that sparkle in the eye of a child as he stealthily eat ice cream in the winters.

You are that kind of a morning wind. The kind that gushes at a speed so overwhelming where needed, breaking and tearing its way through though flowing like a smooth river of liquid silver as the full moon shines on it as it snakes its way through mountains.

You are the morning wind. My favourite kind of wind.

I miss you. Come home soon to tingle my spine and envelop me in your warmth like you always do. The same kind of warmth one feels when holding cashmere kids in one’s arms with their coffee coloured wool as they sweetly ‘Baa’aaa’ in your ears.

Weathered and Dying

So I'm just another story you happened to read while taking the subway. I am the dirty piece of newspaper that had been nearly folded and stuck behind a seat. My folded corner has yellowed and weathered with time. I used to hear people talking, lovers whispering, punks humming but it has been quite some time since I have seen them. I wanted to feel the crisp zesty breeze tingling me and making me sway and make crackling sounds.

You picked me up that day and unfolded me. I thought to myself that finally I'll feel the breeze again and yes I did too. But didn't know that all you used me for was wiping your sweaty forehead and throwing me on the corner of some street only to be trampled upon by passer-bys and garbage collection trucks.